San Francisco Sun

The Asian Art Museum in San Francisco is set to present an exhibition titled "Moving Objects: Learning from Local and Global Communities," running from November 15, 2024, to March 10, 2025. The exhibition will explore themes of cultural heritage, ownership, and restitution through the case study of four ancient bronze sculptures originating from northeastern Thailand. These artifacts are currently in the process of being repatriated.

Dr. Robert Mintz, Chief Curatorial Director at the museum, highlighted the significance of community involvement in modern art institutions. “Art museums have long been defined by the collections they hold and the artworks they exhibit, but today, we recognize that the communities we build and serve are of equal importance,” he stated.

The museum's CEO, Dr. Jay Xu, emphasized their commitment to ethical responsibilities regarding cultural heritage. He remarked on their role as a culturally specific institution with strong ties to Asia and its diaspora: “As a culturally specific institution with significant ties to the communities of Asia and the Asian diaspora, these conversations are especially meaningful for us."

Visitors will have opportunities to engage with local community stories and reflect on museums' evolving roles as cultural stewards. A community response wall within the gallery aims to foster dialogue about museum collections' future.

The four bronze sculptures were acquired between 1965 and 1968 and linked to Prasat Hin Khao Plai Bat II in northeastern Thailand. Thai scholars have uncovered evidence suggesting systematic looting at this temple site before selling artifacts internationally. Douglas Latchford has been identified as a key figure in their illegal trafficking.

Associate Curator Dr. Natasha Reichle acknowledged gaps in knowledge about artwork origins: “The information we have on an artwork’s path from its place of origin to the museum is often incomplete.” Deputy Director Emiko Usui reinforced this view by stating that museums must learn from larger communities both locally and globally.

Organized by the Asian Art Museum with support from Target and others like Monica Yeung Arima and Adrian Arima; sustained backing comes courtesy Akiko Yamazaki & Jerry Yang Endowment Fund for Exhibitions.

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